About & Contact

holtenjohn@gmail.com

Novelist. Born 1984 in Ireland. Lives and works in Berlin.


Novels

The Trains of Europe (Broken Dimanche Press), 2024

Oslo, Norway (Broken Dimanche Press), 2015

The Readymades (Broken Dimanche Press), 2011, re-issued 2019


Writing has appeared in Spike Magazine, Frieze, gorse, The Stinging Fly, Hotel, Electric Literature among other places.

Curatorial work includes the literature programme 2016-2022 at Tropez, in Berlin; Büro BDP’s programme since 2011 (with Ida Bencke), and the series ‘a book, a room’'; the group exhibition about the future of reading ‘Augury’ at BQ Gallery, Berlin in 2016; as well as solo exhibitions

 

Positions

Co-Founder & Editor-In-Chief, Broken Dimanche Press - 2009 - present

Director of Narrative and Editorial Content, Klang Games - 2017 - present

Co-host and co-producer, The Life Cycle Podcast, 2019-2023

Lecturer, Node Center for Curatorial Studies - 2014 - 2020

Columnist, Contemporary Food Lab - 2015 - 2017

Gallery Manager and curator, N/R Projects, Berlin - 2015 - 2017

  • How to Make a Book - Node Center

  • Tales Told in the Telling: Fictional Strategies
    A Creative Writing Workshop as Part of the Self-Publishing Archive


    This one-day (somewhat open and experimental) workshop looks at, reads and potentially initiates fictional strategies as a way to advance artistic practices and discourse. Not limiting itself to either the domain of contemporary visual art or literary / poetic fiction, but rather investigating the intersection, crossovers and contamination of both, the workshop is comprised of a close reading of selected texts chosen by workshop leader John Holten. These texts will be made available a week or more in advance of the session and hopefully will offer various diverse ways of thinking how fiction both operates and generates itself, as well as how it has been used to further the practice of a number of past and contemporary practitioners in a number of media and fields. 

    Depending on how the initial session develops there is the possibility that in the future the workshop will include the reading of participants’ work and feedback sessions, as well as looking at material ways of bringing fictional strategies into the world, for instance self publishing techniques, interventions, performance and filmmaking. 

  • FACT, Liverpool, 2015